It stirs to life when the
high-rise office lights click off floor by floor,
when bleary-eyed men in suits drift away to their
homes in the suburbs and beyond. It simmers with
activity even as the most garrulous crows snooze
beneath the stars. Nighttime Tokyo. Same
boulevards and parks, same ferroconcrete jumble
-- and yet, so different from the teeming
metropolis we see by day. It's a world apart, largely
unknown to the millions who crowd it by day, but
who -- like legions of salaried Cinderellas --
seldom stay past the stroke of midnight when
commuter lines and bus services start closing
down.
As one of those
Cinderella fellas myself, it was with a sense of
exploration and the thrill of imminent discovery
that, with the moon high in the sky last week, I
grabbed my camera and set out on foot to gain
some snapshot impressions of the capital's
nocturnal side.
Starting -- for no particular
reason except that it's there, and pretty central
-- from Yurakucho Station, I'd barely turned the
first corner as a clock struck midnight and I
encountered two fancily dressed young women
chattering excitedly. They seemed to be in a spot
of trouble.
"What's
wrong?" I asked.
"We missed our
last train by just one minute!" moaned one
of the women, an office worker who said her name
was Kumi Kaneda. "The cab home's going to
set me back 8,000 yen."
"It's our fault.
We walked too slowly," acknowledged her
taller coworker, Noriko Tamahiro.
"We're
drunk," confessed Kaneda.
"Even so,"
I said, "do you think it's right for the
trains to stop so early?"
Tamahiro weighed in.
"The government nags us to clean up the
environment, but it's because of this
transportation system that people drive cars as
much as they do."
After a moment's
pause and with a bat of her eyelashes, though,
Tamahiro noted that the status quo may have at
least one benefit.
"When the trains
stop running," she said softly, "boys
and girls spend the night together."
An interesting point,
and one perhaps worthy of further discussion. But
as the women started rubbing their arms from the
cold, I bid them farewell and went on my way.
Further west, across
the street from the Imperial Palace, I came upon
some guys in hardhats milling around a
construction site. Approaching one of them, I
explained my mission. "Follow me," he
said with a genial smile, and waved me through a
barrier and into a hut.
From there, I was
surprised to find a staircase descending into a
cylindrical hole deep enough to fit a large
locomotive. Shouting over the deafening racket of
a cement mixer, my guide, civil engineer Hiroshi
Kotakemori, explained that the shaft would soon
house part of a "central artery," which
will include sewage pipes, power and
communication cables. Nearby, he said, was an
even larger subterranean site the size of
"four tennis courts."
Far below the
landing, workers bustled around this stygian
domain, nocturnal denizens of a hidden world
attending to an intricate network of pipes
protruding from the floor. Many of these men, I
learned, spend half the year working at night.
Emerging from the
hole, I ran into 69-year-old Sukio Hazaki, one of
the countless "traffic coordinators"
who wave illuminated red batons on the streets
and sidewalks around Japan's construction sites.
If anyone was emblematic of Tokyo's streets at
night, it was Hazaki. I asked if I could
photograph him at work.
"Well, I don't
know. Not many cars out right now," he said,
peering down Sakurada-dori. But a taxi eventually
rolled by and I snapped away.
Although there was
little traffic for Hazaki to coordinate, he felt
no lack of mission, as he was also charged with
keeping suspicious characters away from the
area's many important buildings. "Getting to
work this close to the Imperial Palace sure is
swell!" he gushed.
"But what does
your wife think about your late hours?" I
asked.
"She prefers I'd
work days," he said. "But she knows
this is better than my staying at home and going
muddle-headed."
With that I bade farewell to
Hazaki and the hardhat crew and continued west
past the ranks of drab Kasumigaseki offices
where, by day, armies of bureaucrats busily
operate the gears and levers of officialdom.
As I walked in a
light rain, with the sidewalk all to myself, the
mood had slowed to a blissful calm. Lines of
taxis girdled the ministries and agencies, their
roof lamps twinkling fireflylike in the slim hope
of attracting fares. I imagined being inside a
colossal Christmas tree.
Walking on in this
pleasant reverie, I soon found myself at a corner
in Akasaka occupied by an attractive, smiling
woman.
"Massage?"
she asked. Behind her, women in mini-skirts
deposited their drunken male clients into
limousines.
I thought about the
woman's entreaty. I had often heard it said that
there was more to be had at these so-called
massage parlors than a mere massage. But I'd
never found out for myself. So, in a spirit of
professional research, I followed her into the
elevator of one of the street's many nondescript
tall, narrow buildings.
As we ascended, she
informed me that she was Taiwanese. "I like
Japan, but not the Japanese," she said,
without elaborating.
In a fifth-floor room
with green wallpaper, she presented me with a
glossy, restaurant-style menu of
"courses." A no-frills massage, she
said, went for 6,000 yen. But "special
services" could push the bill up to 20,000
yen. Describing in detail the extra offerings --
each more lubricious than the last -- she never
flinched from her businesslike manner. Certainly,
after her menu run-down, I can vouch that massage
is only a fraction of the goings-on at such
establishments.
I gently declined.
She came back with a 40 percent discount. I held
my ground. When she persisted, I came clean,
admitting I was a reporter researching for an
article, and we went back outside.
"You can think
about your story while I give you a
massage!" she said, not giving up easily,
and offered to settle for the
"preferred-customer" rate of 3,000 yen.
I tried to change the
topic. "What's it like working out here, on
this corner, at night?" I asked.
She huddled beneath
her plastic umbrella, thinking. "Sometimes
it's cold," she finally said.
"Sometimes it's hot. Sometimes rain falls;
sometimes the wind blows. Sometimes customers are
mean; sometimes there are no customers at
all."
Well, tonight it was
cold, rainy and customers obviously weren't
lining up. I could have hung around to talk, but
the touts plying this street were shooting
apprehensive glances over their shoulders and my
instinct told me it was time to move on.
I stopped by a 24-hour
convenience store for a bottle of mineral water
and asked the bespectacled, uniformed teller
about his job.
"With so many
bars around here, I get drunks sleeping in my
aisles," explained Satoshi Sugiyama, 22, as
a customer discreetly flipped through a girlie
magazine beside us. "Had to put one sleeper
in an ambulance, once. Alcohol poisoning." A
woman in heavy makeup paid for a pack of Doritos.
"Another
time," he continued, "three foreign
guys in suits -- they looked like secret-service
police -- they came in here and asked me if the
store was dangerous. I said, 'Well, I never had a
customer go berserk or anything, but I do sell
box cutters.' The guys inspected the premises
really carefully, but ended up only buying
cigarettes and soft drinks." He never did
find out what the fuss was all about.
"Baffling,"
I said. "So why do you work these
hours?"
"I want to be an
actor, and it costs a lot to join the
guild," he said. "The pay for
nightshifts is better, so this is the shortcut to
my dream. I've got about 70 percent saved up
already."
I wished him luck and
hit the pavement again. The end of my jaunt
carried me down Aoyama-dori, along the leafy
perimeter of the Crown Prince's Akasaka
residence. It was about 4 a.m., and the sun's
first rays were playing on the highest clouds. An
elderly couple swept leaves near a playground
while off-duty drivers slumbered inside idling
delivery trucks.
With some
embarrassment, it suddenly dawned on me that I
knew this place.
It was either 1997 or
'98, and I had drunk too much at the year-end
party. As the last trains were pulling out of
Tokyo, I was sleeping on a sidewalk somewhere, a
candidate for hypothermia. Eventually, I got
myself to a police box, where I asked the
middle-aged officer to let me sleep in the back
room. His rejection came swiftly, and I ended up
plodding along in the cold along this very path,
back to my office, where I crashed. I shiver just
thinking about it.
Recalling the whole
affair made me want to meet that officer again,
to apologize for my unreasonable request years
before. I made the 3-km trek to the police box.
Instead of that
stodgy individual, though, a young, scrubbed
officer in round glasses stood there, beaming
with enthusiasm even at this ungodly hour.
"Good morning!" he boomed. At a loss
for what to say, I ended up telling him about my
drunken episode. "That was my wackiest night
in Tokyo," I concluded. "What was
yours?"
"Ah, that would
be the night I had my first corpse," he
said, explaining that when attending a traffic
accident on a late shift 18 months ago, he found
that the driver had died on impact. "Every
cop remembers his first corpse," he added
with a nod.
We wrapped up our
talk and -- ever effervescent -- he gave me a
lively salute. Unsure how best to respond, I
awkwardly saluted him back.
Sunlight was now
filling the sky and I was famished after my
seven-hour stroll. Walking up Omotesando in
search of a McDonald's pancake breakfast, I
reflected on the friendly people I'd met and the
sights I'd seen. But McDonald's wouldn't open for
another half hour, so I squeezed aboard a steamy,
crowded Yamanote Line train and headed home. A
man sneezed loudly without covering his mouth.
Someone else shoved me from behind. Everyone
looked miserable.
It was a typical
early-morning rush hour. But I knew how to cope:
Closing my eyes I floated away and -- dangling
from my strap -- dreamt of Tokyo at night.